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![PRELUDE ] she was a woman who lived well, lived well, lived well. it worked—at least nothing spoke and nobody spoke, nobody said no; so it worked.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
PRELUDE
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she was a woman who lived well, lived well, lived well.it worked—at least nothing spoke and nobody spoke, nobody said no;
so it worked. -
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SCENE 1: THE CALLING
yesterday, however, I lost my human setup for hours and hours.
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what I used to be, was no good for me
] but what are about now?
] am I more free?
![PRELUDE ] she was a woman who lived well, lived well, lived well. it worked—at least nothing spoke and nobody spoke, nobody said no; so it worked.](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/1-gustavo-riviera-2-.jpg)
![SCENE 1: THE CALLING yesterday, however, I lost my human setup for hours and hours. ] ] what I used to be, was no good for me ] but what are about now? ] am I more free?](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/_dsc2261.jpeg)
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SCENE 2: HOURS OF PERDITION
was my will to want stronger than my will for salvation?
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I was experiencing in that desert the fire of things.
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now I know what happens in the dark of the mountains on the nights of orgies.
I know! I know with horror: things enjoy themselves. the thing of which things are made delights itself. -
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SCENE 3: THE SECRET
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] we who keep yhe scream as an inviolable secret
] if I raise the alarm at being alive, voicelesss and hard they would drag me away since they drag away those who depart the possible world, the exception- al being is dragged away, the screaming being.
![SCENE 2: HOURS OF PERDITION was my will to want stronger than my will for salvation? ] ] ] I was experiencing in that desert the fire of things. ] ] ] now I know what happens in the dark of the mountains on the nights of orgies. I know! I know with horror: things enjoy themselves. the thing of which things are made delights itself.](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/_dsc2326.jpeg)
![SCENE 3: THE SECRET ] ] ] we who keep yhe scream as an inviolable secret ] if I raise the alarm at being alive, voicelesss and hard they would drag me away since they drag away those who depart the possible world, the exception- al being is dragged away, the screaming being.](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/img_0049.jpg)
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SCENE 4: FEMALE MINOTAUR
] the possessed are not possessed by what is coming but by what is coming back.
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] a world fully alive has the power of a Hell. -
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SCENE 5: THE GOAT’S SONG
] I was opening and closing my mouth to ask for help but I couldn’t and didn’t know how to articulate it.
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the unsayable can only be given to me through the failure of my language.only when the construction fails,
can I obtain what it could not achieve
![SCENE 4: FEMALE MINOTAUR ] the possessed are not possessed by what is coming but by what is coming back. ] ] ] a world fully alive has the power of a Hell.](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/20230401_153434.jpg)
![SCENE 5: THE GOAT’S SONG ] I was opening and closing my mouth to ask for help but I couldn’t and didn’t know how to articulate it. ] ] ] the unsayable can only be given to me through the failure of my language. only when the construction fails, can I obtain what it could not achieve](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/img_2736.jpg)
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SCENE 7: IF I RAISED THE ALARM AT BEING ALIVE, VOICELESS AND HARD THEY WOULD DRAG ME AWAY
] no longer even fear
] no longer even fright.
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SCENE 9: THE TASTE OF THE LIVING OR THE VISION OF AN INFINITE FLESH
] seduced, I was still fighting as best as I could against the quicksand that was swallowing me:
and each movement I was making toward “no, no!” each movement pushed me inevitably on
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] the time to live, my love, was being so right now that I leaned my mouth on the matter of life.] finally, my love, I gave in. and it became a now. with disgust, with despair, with courage, I was giving in.
and now I wanted.
![SCENE 7: IF I RAISED THE ALARM AT BEING ALIVE, VOICELESS AND HARD THEY WOULD DRAG ME AWAY ] no longer even fear ] no longer even fright.](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/_dsc2330.jpeg)
![SCENE 9: THE TASTE OF THE LIVING OR THE VISION OF AN INFINITE FLESH ] seduced, I was still fighting as best as I could against the quicksand that was swallowing me: and each movement I was making toward “no, no!” each movement pushed me inevitably on ] ] the time to live, my love, was being so right now that I leaned my mouth on the matter of life. ] finally, my love, I gave in. and it became a now. with disgust, with despair, with courage, I was giving in. and now I wanted.](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-artlogicwebsite0186/usr/exhibitions/images/exhibitions/19/_dsc2239.jpeg)